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India Ramayana PowerPoint Presentation

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Slide 1 - The Ramayana (The Way of Rama)
Slide 2 - Ramayana Author: Valmiki Culture: Indian Language: Sanskrit Genre: epic poetry Time: 550 B.C. Names to know: Rama, Sita, Ravana, Hanuman, Dasaratha, Laksmana Concept: dharma
Slide 3 - Themes The nature of heroism / Hero’s journey Gender roles Natural social hierarchies [Caste] How to live a good life (according to dharma: right action, sacred duty according to one’s social role, status, and gender)
Slide 4 - Moral Exemplars The poem has had powerful effects on people’s behavior in South Asia. Rama, Sita, Laksmana have been held up as models of behavior. Public performances revolve around the questions: Why did Rama do this? Was Sita right in doing that?
Slide 5 - Moral Problems/Obedience Texts have arisen cataloguing the moral quandaries of the story, and public recitation and exegesis are often developed on the basis of such lists. The Ramayana explores the problem of authority and obedience. It is the necessity of obedience that the poem emphasizes, rather than the quality of the authority that demands it.
Slide 6 - Background This is the oldest literary version of the tale of the exile and adventures of Rama, a story that goes back in folk traditions to the 7th c. BC. It is probably that Valmiki, like Homer, gathered up other versions of the oral tale and shaped it. This is the great story of Indian civilization, the one narrative that Indians have known and loved since the 7th c. BC and which remains very popular today.
Slide 7 - Valmiki Valmiki is celebrated as the ‘first poet’ and the Ramayana as the ‘first poem.’ The poem begins with the sage Valmiki himself inventing metrical verse and asking the question: “Who is the perfect man?” The sage Narada responds with the story of Rama, whose wife had been abducted by a demon-king. The poet is one who transforms raw emotion and the chaos of real life into an ordered work of art.
Slide 8 - Rama Rama’s epithet: devoted to righteousness – part of the oral tradition He is associated with the line of Iksvaku kings who ruled the kingdom of Kosala Like Hymn to the Sun, establishes authority The epic blends historical saga, creation myth, morality tale, and religious mythology.
Slide 9 - Narrative Structure Book 1: an account of Rama’s childhood; this is an addition to the original text which frames the central narrative. It introduces Rama as a divine incarnation, an avatar of Vishnu. Books 2-6: form the core of the epic; Rama as a wandering hero avenging bride theft. Monster-slayer. Book 7: an addition that completes the story of Rama as an avatar. The suffering of Sita.
Slide 10 - The God Vishnu One part of Hindu trinity - Shiva & Brahma Positive Qualities - Loves Man - Selfless Powers - Creates, Preserves & Destroys Protector of dharma
Slide 11 - Core Story Ravana, the 10-headed powerful king of the Raksasas (demons who threaten the world and moral order [dharma]) has gotten a boon of invulnerability to gods, demigods, and animals. The gods persuade Vishnu, whose function it is to preserve dharma, to incarnate himself as a man in order to destroy Ravana.
Slide 12 - The Avatars Vishnu incarnates as Rama, son of Dasaratha, king of Kosala, and his senior wife Kausalya. Rama is a paragon of princely virtues. Sons are also born at the same time to lesser wives: Kaikeyi bore Bharata, Sumitra bore the twins Laksmana and Satrughna. These sons all share in Vishnu’s divine essence. Sita is avatar of Lakshmi, wife of Vishnu Sita symbolizes an ideal daughter, wife, mother, and queen
Slide 13 - Rama’s Heroism Rama’s heroism lies in both his acts and his attitude A man’s fundamental duty: to honor his father’s word. Rama does this without anger. Rama’s heroism combines the strong sense of duty and dedication to social responsibility demanded of an ideal king and the ideal member of the structured Hindu social order. Gandhi admired Rama as his personal hero and the personification of the ideal man.
Slide 14 - Sita’s Heroism Her role is focused on her conduct as wife: a woman’s dharma is to obey her husband. She is the exemplar of the good wife for Hindu culture, much as Penelope was for Greek culture. Women were men’s property; sexual fidelity to their husbands was the major virtue of women.
Slide 15 - Sita’s Troubles Still, Valmiki’s account implies that Sita’s own willful actions - coveting the golden deer and persuading her male relatives to leave her unguarded - led to what happens afterward. Her kidnapping and imprisonment, as well as Rama’s eventual rejection of her.
Slide 16 - Sita’s Revenge After Rama slays Ravana and rescues Sita, he asks her to prove her sexual purity with trial by fire. She emerges triumphant and the two return home. However, continuing public doubt leads him to banish her to the forest. Later, she refuses to rejoin Rama, expressing her anger by committing a kind of ritual suicide.
Slide 17 - Cultural Values The male authors of Hindu legal and ritual texts wrote that men had to be guardians over women to ensure the legitimacy of the family line. A woman’s uncontrolled sexuality could bring dishonor and ruin to her family. Marriage was arranged soon after puberty, for each menstrual cycle was seen as a lost opportunity for producing a son. However, in the epic we do see women such as Sita making choices about their own lives. Sita is a heroine in her own right
 

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